Explore the timeline of Richard Wagner, a pivotal figure in 19th-century music and opera. This timeline highlights significant events and milestones in Wagner's life, including his formative years, major compositions, and his influence on music and culture.
Richard Wagner was born on May 22, 1813, in Leipzig, Germany. He was the ninth child of his family. Wagner's stepfather, Ludwig Geyer, was an actor and playwright who had a significant influence on him. He developed a love for theatre and music at a young age and went on to become one of the most influential composers in Western music history, known particularly for his operas.
In August 1833, Richard Wagner completed his first full opera, 'Die Feen' (The Fairies). The opera, inspired by Carl Maria von Weber and Heinrich Marschner, was never performed during his lifetime. 'Die Feen' marked the beginning of Wagner's long career in opera, and although it shows the influences of his predecessors, it also hints at his future developments in music and drama.
Richard Wagner's opera 'Tannhäuser' premiered on October 19, 1845, at the Royal Saxon Court Theatre in Dresden. The opera is centered on the struggle between sacred and profane love. Despite a poor initial reception, it became one of Wagner's most important works. The complex combination of narrative, avant-garde harmony, and unorthodox structure was the beginning of his break from traditional opera.
In May 1848, Richard Wagner became involved in the Dresden uprising, part of the broader Revolutions of 1848 in the German states. He supported democratic and socialist movements, and his participation nearly cost him his life. Following the uprising's failure, Wagner fled to Switzerland to avoid arrest. This involvement greatly influenced his later works and ideas about music and art's role in society.
On August 28, 1850, Richard Wagner's opera 'Lohengrin' premiered in Weimar, conducted by Franz Liszt. The opera tells the story of the mysterious knight Lohengrin and Elsa of Brabant and includes famous elements such as the Bridal Chorus, commonly known as 'Here Comes the Bride'. 'Lohengrin' further established Wagner's reputation as a leading composer of opera, even as he was living in exile due to his political activities.
'Tristan und Isolde' premiered on June 10, 1865, at the National Theatre in Munich. This opera is famous for its advanced harmonic language and thematic preoccupation with unfulfilled love and longing. Wagner's use of chromaticism and suspension of conventional harmonic resolution greatly influenced late 19th-century Western music. 'Tristan und Isolde' is often cited as a precursor to modern music.
On August 25, 1870, Richard Wagner married Cosima Liszt, the daughter of Franz Liszt. Cosima was previously married to Hans von Bülow, a conductor who was a great supporter of Wagner's music. Her marriage to Wagner came after years of scandal, but eventually, she became a devoted wife, managing much of Wagner's affairs and writings. Their partnership marked an important era in Wagner's life, as he produced some of his greatest works.
The first Bayreuth Festival opened on August 13, 1876, with a performance of the whole Ring Cycle (Der Ring des Nibelungen). The festival was held in the purpose-built Bayreuth Festspielhaus, which Wagner had designed specifically for his operas. This event marked the realization of Wagner's dream to have a venue dedicated to his works. The festival remains a significant annual event in the classical music world.
'Parsifal', Wagner's last completed opera, premiered on July 26, 1882, at the Bayreuth Festspielhaus. The opera focuses on the Arthurian knight Parsifal and his quest for the Holy Grail. It reflects themes of redemption and compassion, embodying Wagner's complex ideas about religion and art. The success of 'Parsifal' further solidified Wagner's legacy as a pioneering and controversial figure in music.
Richard Wagner died on February 13, 1883, in Venice, Italy, at the age of 69. His death marked the end of a controversial and highly influential life in music and culture. Wagner left behind a body of work that would influence many composers and artists, pushing the boundaries of theatrical and musical convention. His operas remain central to the repertoires of opera houses worldwide, despite ongoing debates about his political views.
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