The Harlem Riot of 1935 was a pivotal event in the history of the Harlem Renaissance. Triggered by rumors of police brutality, the riot highlighted the racial tensions and economic struggles faced by African Americans in Harlem. It marked a turning point in the community's relationship with law enforcement and local government.

Langston Hughes's first novel, 'Not Without Laughter', was published in 1930. The book explores the life of an African American boy growing up in a small Kansas town, addressing themes of race, family, and community. It is a significant work of the Harlem Renaissance, reflecting Hughes's deep engagement with African American culture.

Nella Larsen's novel 'Passing' was published in 1929. The book explores complex themes of race, identity, and social class through the story of two mixed-race women who can 'pass' as white. 'Passing' is considered a classic of the Harlem Renaissance, highlighting the era's exploration of racial and cultural identity.

Claude McKay's novel 'Home to Harlem' was published in 1928 and became the first book by an African American to become a best-seller. The novel depicted the vibrant life of Harlem and addressed themes of identity, race, and the African American experience, making it a significant contribution to the Harlem Renaissance.

The Negro Experimental Theater was founded in 1926 by playwright and director Abram Hill. It provided a space for African American actors and playwrights to develop and showcase their work, contributing significantly to the theatrical landscape of the Harlem Renaissance and promoting African American cultural expression.

Langston Hughes published his first book of poetry, 'The Weary Blues', in 1925. This collection, which included the famous title poem, captured the spirit of the Harlem Renaissance with its exploration of African American life and culture. Hughes's work became emblematic of the movement's artistic and cultural aspirations.

In 1923, the National Urban League launched 'Opportunity: A Journal of Negro Life', edited by Charles S. Johnson. This publication became a key platform for African American writers and artists during the Harlem Renaissance, showcasing literature, art, and social commentary that highlighted the cultural and intellectual achievements of the era.

The musical 'Shuffle Along', written by Noble Sissle and Eubie Blake, premiered in 1921. It was one of the first Broadway musicals to be written and performed by African Americans. Its success marked a significant moment in the Harlem Renaissance, influencing the future of African American music and theater.

In 1920, Alain Locke published 'The New Negro', an anthology that became a defining text of the Harlem Renaissance. It featured essays, poetry, and fiction from prominent African American writers, emphasizing racial pride and cultural expression. This work helped to solidify the intellectual foundation of the Harlem Renaissance.

The Negro Society for Historical Research was founded in 1917 by John Edward Bruce and Arthur Alfonso Schomburg. This organization aimed to promote the study and preservation of African American history and culture, playing a crucial role in the intellectual underpinnings of the Harlem Renaissance.